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Arthur 'Two Sheds' Jackson
HOST Eric Idle
ARTHUR JACKSON Terry Jones
OTHER HOST John Cleese
HOST Last week the Royal Festival Hall saw the first performance of a new symphony by one of the world's leading modern composers, Arthur 'Two sheds' Jackson. Mr Jackson.
ARTHUR JACKSON Hello.
HOST May I just sidetrack for one moment. This -- what shall I call it -- nickname of yours...
ARTHUR JACKSON Ah yes.
HOST "Two sheds". How did you come by it?
ARTHUR JACKSON Well, I don't use it myself, but some of my friends call me "Two Sheds".
HOST And do you in fact have two sheds?
ARTHUR JACKSON No, I've only got one. I've had one for some time, but a few years ago I said I was thinking of getting another, and since then some people have called me "Two Sheds".
HOST In spite of the fact that you only have one.
ARTHUR JACKSON Yes.
HOST And are you still intending to purchase this second shed?
ARTHUR JACKSON
(impatient)
No!
HOST ...To bring you in line with your epithet?
ARTHUR JACKSON No.
HOST I see, I see. Well to return to your symphony.
ARTHUR JACKSON Ah yes.
HOST Did you write this symphony in the shed?
ARTHUR JACKSON
(surprised)
No!
HOST Have you written any of your recent works in this shed of yours?
ARTHUR JACKSON No, no, not at all. It's just an ordinary garden shed.
HOST I see, I see. And you're thinking of buying this second shed to write in!
ARTHUR JACKSON No, no. Look. This shed business -- it doesn't really matter. The sheds aren't important. A few friends call me Two Sheds and that's all there is to it. I wish you'd ask me about the music. Everybody talks about the sheds. They've got it out of proportion -- I'm a composer. I'm going to get rid of the shed. I'm fed up with it!
HOST Then you'll be Arthur 'No Sheds' Jackson, eh?
ARTHUR JACKSON Look, forget about the sheds. They don't matter.
HOST
(sternly)
Mr. Jackson, I think, with respect, we ought to return to the subject of your symphony.
ARTHUR JACKSON Huh!
HOST I understand that you used to be interested in train-spotting.
ARTHUR JACKSON What?
HOST I understand that, about thirty years ago, you were interested in train-spotting.
ARTHUR JACKSON Well what's that got to do with my bloody music?
OTHER HOST
(entering)
Are you having any trouble with him?
HOST Yes, a little. Good Lord! You're the man who interviewed Sir Edward Ross earlier.
OTHER HOST Exactly. Well we interviewers are more than a match for the likes of you, "Two Sheds".
HOST Yes, make yourself scarce, "Two Sheds". This studio isn't big enough for the three of us!
(They throw him out.)
ARTHUR JACKSON Here, what are you doing? Stop it!
[Crash.]
OTHER HOST Get your own Arts programme, you fairy!
HOST Arthur "Two Sheds" Jackson... Never mind, Timmy.
OTHER HOST Oh Mike, you're such a comfort.
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